Paternoster

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a statue holding a tray with a castle in it's hand and standing next to a wall
Saint Barbara | North French | The Metropolitan Museum of Art
Saint Barbara, patron saint of prisoners, architects, and artillerymen Limestone, paint, gilt ca. 1500
☆ A Gothic Pendant :¦: South German, 2nd half of the 15th century :¦: Finely worked gilt silver pendant. The figure of Christ crucified on a cross of intricately crafted branches, flanked by St John the Evangelist and the Virgin with halo. The top with a suspension loop, the bottom decorated with a flexible ornament. Partially worn gilding ☆ Historical Art, Christ Crucified, St John The Evangelist, Gothic Pendant, Simple Silver Jewelry, Silver Jewelry Diy, Late Middle Ages, Historical Jewellery, Medieval Jewelry
☆ A Gothic Pendant :¦: South German, 2nd half of the 15th century :¦: Finely worked gilt silver pendant. The figure of Christ crucified on a cross of intricately crafted branches, flanked by St John the Evangelist and the Virgin with halo. The top with a suspension loop, the bottom decorated with a flexible ornament. Partially worn gilding ☆
Pendant with the Crucifixion,Germany,ca.Late 15th century. German Jewelry, Jewelry Measurements, Gold Silver Jewelry, The Crucifixion, Period Late, Sterling Silver Name Necklace
Pendant with the Crucifixion | The Walters Art Museum
Pendant with the Crucifixion,Germany,ca.Late 15th century.
Late medieval rosary. German, 1475-1500. Object is located at the Victoria and Albert museum. V&A Collection ID: 517-1903. Photo by Jenny ODonnell Pictures Of Churches, Pater Noster, Medieval England, Rosary Prayer, The Rosary, Medieval Period, Moyen Age, Rosary Beads, Memento Mori
Late medieval rosary. German, 1475-1500. Object is located at the Victoria and Albert museum. V&A Collection ID: 517-1903. Photo by Jenny ODonnell
a painting of a woman in blue dress and red hat holding a beaded bracelet
e-codices – Virtuelle Handschriftenbibliothek der Schweiz
a painting of a monk holding a book
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Vittore Crivelli 1440-1502 - Beato Angelo Clareno, dettaglio (pannello pentittico) - Capodarco di Fermo, chiesa di Santa Maria
an image of a woman holding a cross and a book in her hands, with flowers around
A2 Poster. Saint Jost, c. 1480. Creator: Workshop of the Master
An A2 poster sized print, approx 16x23 inch (420x594 mm). Saint Jost, c. 1480. 15th century, aachen madonna master of the, decoration, decorative, fifteenth century, flower, flowers, hand coloured, hand tinted, master of the aachen madonna, master of the aachen madonna workshop of the, mediaeval, metalcut, metalcut hand colored in red orange and green, pilgrim, plants, prayer beads, rosary, rosary beads, saint, workshop of the master of the aachen madonna. Image supplied by Heritage Images. Prod
Pendant    Place of origin:  Germany (made)    Date:  late 15th century (made) Medieval Dress, Medieval Accessories, Diy Graphic Design, The Annunciation, Old Jewelry, Victoria And Albert Museum, 15th Century
Pendant | Unknown | V&A Explore The Collections
Pendant Place of origin: Germany (made) Date: late 15th century (made)
two women dressed in medieval clothing standing next to each other
Caballeros medievales con brigantina hacia el 1500
Joan Pau i Guardiola: Miracle of Our Lady of the Rosary and the knight Cologne Joan Pau Guardiola-Miracle de la Mare de Déu del Roser i el cavaller de Colònia- c.1500-1510 88 m (96.2 yd) Lleida Museum Los caballeros medievales en el Arte: Caballeros medievales con brigantina hacia el 1500
Rosary The word ‘bead’ derives from the Old English ‘bede’ (prayer). People fingered sets of beads to count their prayers of penance and devotion and bedesmen were employed to pray for the dead. The beads on the rosary were organised in symbolic number sequences at intervals of five, seven or ten.  Production Date: Late Medieval; 14th-15th century Medieval London, Wooden Rosary, Protestant Prayer Beads, Medieval Party, Museum Of London, Ancient Jewellery, London Wall
Free museum in London
Rosary The word ‘bead’ derives from the Old English ‘bede’ (prayer). People fingered sets of beads to count their prayers of penance and devotion and bedesmen were employed to pray for the dead. The beads on the rosary were organised in symbolic number sequences at intervals of five, seven or ten. Production Date: Late Medieval; 14th-15th century
Rosario, Tableaux Vivants, Prayer Beads Christian, Meditation Beads, Medieval Times
Lochner, Stefan - Outside of an Altar Wing - 1445-1450
an image of a painting on the wall
Legend of St. Ursula
Cologne, c. 1455 – 1460: Legend of St Ursula; Baptism of the companions and embarkation of St Ursula with her entourage. Softwood, 54 x 89 - 248 cm. Collection of Ferdinand Franz Wallraf. WRM 0713. Photo: Rheinisches Bildarchiv Köln
a painting of a man with a hat on his head, holding a bag in one hand
The Temptation of St. Anthony - 1520
The Temptation of St. Anthony - 1520 | by juan_guthrie
a close up of a painting of a woman wearing a white dress and red necklace
Celebration – Faux pearl and coral necklaces
Martyrium der Hl. Ursula und der elftausend Jungfrauen;Stifter;Stifterin Kunstwerk: Temperamalerei-Holz ; Einrichtung sakral ; Flügelaltar ; Bruneck ; Ursula:03:005-009  Dokumentation: 1448 ; 1448 ; Innsbruck ; Österreich ; Tirol ; Tiroler Landesmuseum Ferdinandeum ; IN 4  Anmerkungen: 123,3x98,4 Short Swords, Medieval Belt, Coral Art
Martyrium der Hl. Ursula und der elftausend Jungfrauen;Stifter;Stifterin Kunstwerk: Temperamalerei-Holz ; Einrichtung sakral ; Flügelaltar ; Bruneck ; Ursula:03:005-009 Dokumentation: 1448 ; 1448 ; Innsbruck ; Österreich ; Tirol ; Tiroler Landesmuseum Ferdinandeum ; IN 4 Anmerkungen: 123,3x98,4