fashion history- underskirts

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10y
Quench Your Skin’s Thirst
1860's The vast hoop skirts of the mid-19th century were supported by crinolines – steel, cage-like structures worn with a corset and petticoats. They were cumbersome and dangerous (it was tricky to sit down and to get in and out of carriages plus they could get trapped in machinery and catch fire) but at least they were lightweight and allowed the wearer’s legs to move freely. The crinoline reached its maximum dimensions in 1860 and then started to shrink to less ludicrous proportions.
FIT Gets ‘Exposed’ With Lingerie Exhibit
The "Exposed" exhibit at FIT features lingerie from the 18th century through present day. [Courtesy Photo]
Yohji Yamamoto | Underskirt | Japanese | The Metropolitan Museum of Art
Yohji Yamamoto SS 2000 Met Collection- Underskirt
Prints
Blue wedding dress with white corset and underskirt. A three-piece wedding dress of blue watered silk and trimmed with lace. Its skirt is box-pleated at the sides and gathered at the back under the overskirt shaped like a continuation of the bodice. The corset is made of white ribbed cotton and has a glazed finished. The opening is placed at the center front with two busks of thick whalebone which close with three engraved metal keyhole and stud fastenings. Museum of London.
Petticoat | probably American | The Met
1880 Petticoat Culture: American Medium: cotton, linen
Мода 18 века. Дамы и панье- (1730-1775)
Women’s underwear served two purposes in the 18th century. The hoops were also made of linen and stiffened with whalebone or cane. They shaped the petticoat of the gown to the appropriate silhouette. At various times in the 18th century this profile varied from round, to square and flat, to fan-shaped.
Bustle | Work of Art | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
Bustle, 1871