Contemplations

Collection of abstract, contemplative and minimal ink paintings by Thoth Adan, merging Zen philosophies, Japanese aesthetics and Sumi-e painting technique with the midcentury western traditions Abstract Expressionism and Colorfield Paintings.
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Rock Spring | Contemplation N°64
The Contemplation paintings merge Zen related aesthetics like Wabi-Sabi and Shibui and Western mid-century Color Field movement. – N°64 was created using mineral pigments (English red deep and Gofun), Nikawa and Indigo on Awagami Kitakata Washi paper, mounted on Hahnemühle Sumi-e paper. – 40 x 50 cm
Contemplation N°19 (minimal ink painting)
Contemplation N°19 – Sumi ink and mineral pigments on Awagami Kitakata – 40 x 50cm – by Thoth Adan – The paintings from the Contemplation series focus on minimal, calm and painterly expressions simultaneously inspired by the Japanese concepts of Wabi Sabi (the love of natural imperfection), Shibui (term that refers to a particular aesthetic of simple, subtle and unobtrusive beauty) and also to the tradition of Color Field Paintings (mid-century art movement linked closely to Abstract Expressionism). –
Abstract painting by Thoth Adan
N°59 from the Contemplation paintings, using Japanese Sumi-e technique (different washes of ink and mineral pigments) to exploring minimal, painterly and introspective expressions, related to wabi sabi and abstract expressionism (colorfield paintings).
Ink Art By Thoth Adan
N°46 and N°47 from the Contemplation paintings – Two small pieces that offer their beauty best, when hanged together and viewed from close with natural light that can highlight the quality of the fine mineral pigments used (Sumi, Azurite, Jade and Epidote pigments).
Painting by Thoth Adan
N°25 – Abstract, expressive art by Thoth Adan from the contemplation paintings – Sumi ink and mineral pigments on Awagami Kitakata – 50 x 70cm
Contemplation N°39
Contemplation N°39 by Thoth Adan – minimal ink painting created with Sumi ink, walnut ink and mineral pigments on Awagami Kitakata – 40 x 50cm
Study N° 3 (Malevich‘s Window) – Gyclée Print
Study N° 3 (Malevich‘s Window) – Gyclée Print by Thoth Adan – Minimal, abstract Sumi painting on Awagami Kitakata and black Washi paper; reciting the famous black square by Malevitch.
We Are One
We Are One – Minimal art print by Thoth Adan – created with Sumi Ink on Washi paper, digitally altered and rearranged – can be hung as a diptych with I Am Dual.
I Am Dual
I Am Dual – minimal art print by Thoth Adan – created with Sumi Ink on Washi paper, digitally altered and rearranged – can be hung as a diptych with We Are One.
Floating – art print
Floating – giclée print by Thoth Adan – Minimal, abstract artwork, created with different kinds of Ink on wet Washi paper, digitally altered and rearranged.
Breaking Silence
Breaking Silence – mixed media art by Thoth Adan
Study N° 4 (At The Seaside)
Study N° 4 (At The Seaside) – Giclée print by Thoth Adan – evoking a cloudy moon scene. Original art was created with Sumi ink on delicate and almost transparent Tengucho tissue paper by Awagami, mounted in layers with white washi (disc) on a natural beige Kitakata paper.
Dark Road – fine art print
Dark Road – Abstract, gestural mixed media art using sumi ink, shellac ink and acrylics evoking the visual of an abstract landscape – from the Zen-Sumi colletion by Thoth Adan
Test Series
Test Series – Art print from the Zen-Sumi series by Thoth Adan – abstract, digital composition based on sumi ink drawings, digitally altered – playing with the interplay of individuality, uniqueness and conformism, equality – visually inspired by cell cultures.
Off Track
Off Track – Abstract, gestural ink painting in brown, blue and black by Swiss artist Thoth Adan – related to mid-century minimalism and Japanese Shodo tradition (Japanese Zen calligraphy).